
One of many methods we used on the goldwork altar cowl we just lately completed was coating the again of the embroidery with adhesive or paste.
After I talked about this briefly within the end article on the challenge, it generated plenty of dialogue and questions through e mail. A number of folks requested if I’d revisit the subject and clarify how we did this step.
So, right this moment, briefly – as a result of it’s a quite simple, uncomplicated course of – I’ll present you what we did.

As soon as all of the goldwork lettering was completed for the altar cowl, we flipped the huge slate body that the lettering was arrange on, in order that we may end off any threads on the again of the work, trim up something that wanted to be trimmed, after which paste the again of every letter.
We arrange a workstation in order that we have been working throughout from one another, and we labored methodically over the letters. Anna and I every had 5 letters on our personal aspect of the body, so we may just about work proper in sync with one another, shifting the desk that we used to carry provides and an additional mild as we wanted to.

The rice paste that we used comes ready in a tube. It’s a vibrant inexperienced tube with a yellow lid. It’s referred to as “Yamato Nori Rice Sticking Paste.” You’ll discover it in numerous dimension containers, however we solely ever use a tiny bit once we use it, so the 55 gram tube I’ve has lasted some time. Of us have requested if it expires, if it’s usable in case you’ve had it greater than a yr, and so forth. I’ve had this explicit tube for about 4 years and it was tremendous, nevertheless it had not been opened earlier than this software. I don’t understand how it might get up as soon as it’s opened.
Rice adhesive might be diluted considerably with water, so we used water (very sparingly) to loosen the paste up a bit bit. To do that, I dipped the tip of the comb in water to select up just a bit bit, after which I labored the comb into the paste, loosening it to the consistency I needed, to make it easily brushable with out its being too gloppy.
It’s vital that the paste doesn’t get too moist – you don’t need it soaking by way of the material. However you do need to have the ability to work it into all of the little valleys across the bundles of thread ends on the again of the work.

It goes on in a sort of viscous-slimy manner. I usually will put it on considerably thick, after which run over it with the comb to take away extra.
Within the areas the place there are little bundles of thread ends, I sort of work the comb into it ever so gently, simply to ensure every space is pasted.

The adhesive does dry pretty rapidly, so generally, it may be troublesome to see whether or not or not you pasted on this place or that. It’s a good suggestion, then, to work methodically in a particular course across the letter. For those who haphazardly strategy totally different sections of the letter, it’s could be simple to overlook an space.
We pasted out to the sting of all of the stitching and only a hair past – about 1/8″ past.
After we have been completed pasting the backs of all of the letters, we left the work in a single day to dry totally earlier than eradicating slicing the linen away from the slate body.
I adopted the identical course of when the medallion was completed.
And that’s how we pasted the again of the goldwork!
The pasting does a pair issues: it secures threads, it provides a bit little bit of stiffness (although it doesn’t make it board-stiff like some adhesives would), and it additionally acts as a sort of “fray test” when slicing out the letters (or “slips” – the items that will likely be appliquéd to different cloth)
In Protection of Paste
Do not forget that this isn’t meant to be a museum piece. It’s meant for use, till its life is over. Finally, the gold threads will tarnish and the piece will turn out to be weary-looking and it’ll want an overhaul or a substitute. It might even turn out to be broken – like several textile that’s used fairly than displayed as artwork behind museum glass. So, it wasn’t created to be housed like a museum piece, solely to be often considered in some sterile, managed setting.
For those who disagree with utilizing rice paste or comparable on the again of embroidery, when you have handled it within the restore or conservation of items that at the moment are housed in museums or used for show and also you’ve have wished that folks had by no means used paste on the again of embroidery as a result of it makes conservation that rather more troublesome, please keep in mind that this piece is just not museum-destined. Most textiles that we now discover in museums weren’t created with museums in thoughts. They have been created to be used.
This piece will serve its goal for so long as it will probably – for so long as it holds up and appears stunning – after which it will likely be changed. Consider it as drapes in your own home. Finally, they turn out to be worn, they turn out to be uninteresting, the colour goes out of vogue, they get broken, regardless of the case is. What occurs to them? You substitute them, as a result of they served their goal. And so they’re both recycled into another use (like Scarlet’s drapes in Gone with the Wind!) or they’re disposed of. Granted, most of our family curtains don’t have hand-embroidered goldwork on them – however the analogy ought to assist clarify how these items work!
To create the altar cowl, we use the strategies and supplies which are out there, that assist make the parts do what we want them to do. And any such paste is simply a kind of parts that helps make a fantastic and helpful textile.
Simply In!
As we’re catching up right here at Needle ‘n Thread, our store is being replenished slowly. We’ve acquired hoops restocked; all of the Tulip needles are restocked; the vacation metallic thread units are replenished, and I’ve added gold and silver metallic thread units as properly.
We’ve acquired the reticello books and kits (and a few new ones) coming in shortly from Italy – preserve an eye fixed out in case you’re ready for any of these!
All Elisabetta Sforza’s books are in inventory now. And we’ve acquired just about all of the Inspirations books out there, too.
We’re engaged on extra Little Blooms kits as we converse and may have these prepared for you subsequent week. And we’ve acquired floche popping out of our ears. The floche packs will likely be out there once more quickly, in addition to just a few extra colour packs.
As soon as we end restocking kits and thread packs, we’ll be restocking all of the ready-to-stitch items, and including just a few extra to the line-up.
So every little thing is trickling in! Be happy to cease by the store and see if there’s something out there that you simply’ve been ready for —- or that you simply’ve found you actually, actually want!
Have an incredible weekend!
