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Eager about values when sketching with watercolour

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On Monday I shared two vital abilities for watercolour sketching – seeing scenes as easy shapes and being beneficiant when creating washes. I additionally talked about a 3rd vital talent which is to see color as worth.

 This picture exhibits one of many workouts inside my Watercolour course the place we discover the way in which that hue (color) and worth work collectively. We do a number of worth research after which simplify the hues.


In case you are a newbie…

Worth refers to how gentle or darkish a color is. So, if we had been to transform a color to grey-scale, how gentle or darkish would that gray be? On this instance, yellow has a light-weight worth, crimson has a mid-value, blue additionally has a mid-value, and purple has a darkish one. These swatches present that although the hues are totally different (crimson and blue), typically their values will be the identical.

Worth is an important facet of color as a result of our eye is drawn to contrasts between gentle and darkish. We generally tend to place color down as all mid-value and that is what our object mind thinks it sees! So once we paint we now have to deliberately examine the scene in entrance of us to make it possible for our sketch has a lovely composition of lights and darks.  And sometimes we make changes to the values within the scene to make our sketch learn higher.

When you’re starting with watercolour it’s straightforward to emphasize about matching the precise colors of our scene however specializing in creating a pleasant distinction of values is rather more vital.

Right here is an easy instance utilizing a scene I sketch lots…


If I’m simply fascinated about matching particular person color (hue) and never fascinated about worth in any respect I may find yourself with one thing like this. Every thing is mid-value as proven by the greyscale model. And the result’s that the sketch is extremely flat and heavy! 🙂

If I do a easy worth examine then I grow to be extra conscious of sunshine and darkish areas and the sketch has distinction and curiosity.
Only for the document, I used to be bored by the point I had drawn this scene 3 times in a row. 🙂

And the way can we begin seeing values reasonably than hues? The easy reply is to squint!

It is a transient introduction to the subject but when it is a new idea for you I hope which you can see why it’s so vital! And naturally, we go into extra element contained in the Watercolour course!


For these of you who’re aware of worth research, I now wish to share a number of ideas on how I take into consideration values in my on a regular basis sketching…

I really like doing worth research and the method of adjusting values and designing the entire composition to inform a narrative however the actuality is that I not often do them in my on a regular basis fast sketching!

I’ll do a number of thumbnails if I’m eager to sort out a extremely advanced scene however typically, I feel by means of the method with out truly doing a thumbnail.

I’m fascinated by growing methods of working that permit me to design on the fly and I really like pondering by means of the problems as I work. I need my sketches to be spontaneous and exploratory and so an excessive amount of planning takes away from this spontaneity. I’m not attempting to grow to be a Plein Air painter!

That is my desire for my private sketching however once I train I at all times use worth research and thumbnails!


I exploit a 5-step worth scale with 1 as white and 5 as darkish. I feel by way of these numbers once I’m mixing and making use of washes to my web page. eg. I’m consistently asking myself  “Is that this wash a 2 or a 3?”

To be sincere, I don’t at all times suppose by way of the 5-step worth scale however each time I take a look at a scene I at all times mentally map the sunshine and darkish. Which means that I clearly distinguish what areas are receiving direct daylight and what areas are in shade and forged shadow. It is a actually highly effective method of shortly accessing the values of a scene.


These thumbnails that I did final yr as a part of an train for Watercolour On Location present what I see mentally each time I take a look at a scene (assuming it’s a sunny day). My architectural background signifies that I’m typically in a position to retain the areas of shadow in my head whereas I work.

I’ve a number of common guidelines that I depend on after I’ve mentally mapped gentle and darkish:

  •  Mild areas are Values 1-3 and the darkish facet areas are Values 3-5
  • The areas within the gentle are typically lighter than I feel they’re
  • On the darkish facet, I attempt to merge and simplify shapes, add washes confidently with out overworking and goal to create a number of pigment events in my shadow washes.


For a few years I’ve used the strategy of ‘beginning with the darks’ – portray the shadow shapes first after which shifting into the sunshine areas. I consider this system as an inbuilt worth examine and it’s an ideal instance of how watercolour sketching can typically be very totally different from conventional watercolour portray.

So in essence, I feel by means of the values of a scene beforehand (relying closely on defining the shadow shapes  (the darkish facet) first), I make certain the native colors on the sunshine facet are usually not too darkish and I goal to realize the values I need in both one or two washes.

Ah! that is such an exquisite matter to debate…however I feel that that is sufficient for one article! 🙂

In case you are searching for instruction about these ideas inside my SketchingNow programs try these classes:

  • Foundations Lesson 3 (important form abilities)
  • Edges Lesson 4
  • Watercolour Classes 3 and 4
  • Buildings Lesson 4
  • Watercolour On Location (Classes 1, 2 and 4)… designing values is a big a part of this course!

And only a reminder {that a} group might be working by means of the Watercolour course beginning on 15 March. If in case you have bought this course at any time you’ll be able to be a part of this cohort – all you need to do is go to the Watercolour Course by way of My Programs and comply with the directions on the course homepage. I’ll be sending out an electronic mail to you subsequent week with extra particulars.

I hope that you’ve discovered these ideas about working with values useful. It’s an enormous matter and one which I really like fascinated about and discussing! Do you may have an on a regular basis technique for working with values in your work? Do you constantly do worth research? I might love to listen to from you within the remark part under!

(In case you are studying this by way of electronic mail, please click on on the article title hyperlink under and add a touch upon my weblog. Thanks!)



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