Home Drawing Drawing : Marcelle Hanselaar

Drawing : Marcelle Hanselaar


Marcelle Hanselaar: again to entrance face

It is unusual the way you miss out on sure artists, particularly ones which were making great photos for years and which were proven commonly. Marcelle Hanselaar is a kind of artists I’ve in some way missed and should not have. She has lengthy been making persistently highly effective photos and at occasions they’re virtually too visceral to take a look at. She unflinchingly takes on the horrors perpetuated by a patriarchal society, her metaphors sting, however assist to wash out the stalls on the identical time. She remains to be working and displaying and in the event you get an opportunity to see her work within the flesh, go and see it, it’s etched into being each metaphorically and actually.


Le Retour Futile 5, 2021, oil on canvas, 24 x 18 cm

It’s her capability to get essentially the most out of straightforward issues that I actually like. As an example ‘Again to entrance face’ is a extremely fundamental concept however carried out with panache and conviction. ‘Preparing’ is once more a reasonably easy picture that’s given a twist by the fingers reducing into the hair as if they’re some type of agricultural gear, the three straps of her gown awkwardly echoing the 4 finger divided hair lengths. However why the unusual shadow/lighting drama?The only eye wanting again at us suggests this lady is preparing for one thing extra sinister than a celebration. ‘Le Retour Futile’ is solely poetic, a restricted color palette and paired down picture that’s mysteriously romantic. 


Scar is a deceptively easy portray, by paring the picture right down to the pink line of the scar, she makes one thing much more intriguing than maybe it must be. I take a look at it and I am fascinated by portray and the work of these non figurative painters like Barnett Newman who’s zips now start to really feel way more embodied issues. The flatness debate round portray is transcended into one thing about wounds and backbones and the way near the floor and but hidden ache could be. We stand with our faces to the wall too as we gaze in the back of the girl, our heads, like hers, near a floor that we introspectively examine.


Her etchings are maybe what she is most well-known for. They take care of drama and motion in a really direct method, typically celebrating the function that ladies can soak up preventing again and taking management of conditions which have typically been dominated by aggressive males.

The crying recreation

Now that Paula Rego has died maybe we’ll see extra of Marcelle Hanselaar, a Dutch artist dwelling in London fairly than a Portuguese one. Like Rego, Hanselaar can faucet into mythic layers of that unusual factor that we name life. Rego has for a few years occupied the territory so properly, that for one motive or one other different related artists have been overshadowed. I will probably be posting a tribute to Rego and her work within the close to future, and was reminded how good she was each by visiting her  exhibition at Victoria Miro final 12 months and seeing her contribution to this 12 months’s Venice Biennale. 

Paula Rego: Gluttony 

I will depart you subsequently with a picture of Rego’s work from Venice. A well timed reminder of how good she was. I consider that the gravitas of her imagery was partly because of the making of fashions to work from. The strangeness of actuality could be translated way more powerfully in case you have one thing about your work that grounds it in that very actuality that you simply discover unusual. Like Paula Rego, Marcelle Hanselaar has that capability and now that I’ve found her work I shall be sure I preserve a glance out for it in future. 

See additionally:

Current work at Aleph Modern


Drawing in color

Paula Rego’s ‘Dancing Ostriches’


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